When you speak to him everything will be in katakana.ģ. % to and at least one Photon Crystal in your inventory. Montague, make sure to have the enemy weapon you would like to add hit Start the quest Claire's Deal 4/5 and talk to Dr. NOTE: Finish the inner circle part where Dr Montague is located ASAP.Ģ. This quest is located in Normal Mode under an option called Episode 4.
#SECRET DELIVERY PSO PLUS#
This means there is a chance your weapon will not get the desired Hit % plus you will lose your Photon Crystals in the process.ĭelsaber's Left Arm (Turns to Delsaber's Shield)ġ. The success rate for adding Hit % will decrease every time you successfully add Hit % to your weapon. 50% Hit is the maximum amount that you can add to enemy weapons.ģ.
Photon Crystals are required to add Hit % to enemy weapons.Ģ. The quest can be done under any difficulty.īefore we start let me get few things out of the way:ġ. Montague will ask you to wait and after that a message should appear saying you have received a weapon. Talk to him and he will mention how you have quality material.ģ.The inventory menu should pop up, select the enemy part you wish to change. Note: You can also convert your parts in unsealed door. He should be in Pioneer 2 between the Principal's teleporter, and the medical center. Now that you completed "Doc's Secret Plan" - also located in EP1 One person mode, under "Main Story" - you need to start the quest Dr. These quests are located in Episode 1 One Person Mode, under "Main Story".Ģ. We can find her in "magnitude of metal", "secret delivery", and "Doc's secret plan". In priority those with Elenor (a pink RAcaseal). (Note: You can stop after unlocking 4-1.)Īfter that, in One Person Mode you have to end some quest. To begin, you are required to do the Government Quests in Episode 1 Normal Mode up to 4-1. Steve Feeney is a freelance writer who lives in Portland.Follow these steps to turn your enemy parts into weapons.ġ. One could quibble about there being nothing in the program from “Carousel,” a Rodgers & Hammerstein musical set in Maine, nor from the mighty “South Pacific.” But that would be to wrongly suggest that this edition of PSO Pops! was something less than a delight. Vroman’s take on Sondheim’s “Anyone Can Whistle,” accompanied by Janet Reeves on piano, had most listeners, including many orchestra members, visibly enthralled. Music from Meredith Willson’s “The Music Man” highlighted – what else? – the trombones, while Sondheim’s “Send in the Clowns” hit all the melancholy marks. A spirited medley from “Oklahoma!” competed with a selection of tunes from “Flower Drum Song” for melodic richness. Meyer ably led the orchestra in a few instrumental pieces. Vroman also briefly duetted with Meyer, who revealed a fine singing voice, on a piece from Vroman’s years starring in “The Phantom of the Opera.” The two have obviously worked together before and had a playful rapport. Quickly overcoming an early bit of a microphone rumble, she made “The Sound of Music” come truly alive and later added personalized verses apropos of the theme of “My Favorite Things.” She gave “Love Look Away” the right sort of emotional undercurrent and flashed some burlesque moves during the introduction to Stephen Sondheim’s innocent/knowing “Broadway Baby.”Ī lighthearted take on Irving Berlin’s “I Love a Piano” competed with a deadly funny “To Keep My Love Alive,” a Rodgers & Hart tune, for audience laughs. Before all that, though, she revealed a seasoned vocal style, exhibiting a remarkable feel for the dramatic essence of every piece she sang. Whether dancing playfully across the stage, telling funny backstage stories or engaging in friendly banter with conductor Meyer, the slender soprano was an enchanting presence throughout her extensive stage time. Daniel Meyer, a finalist to replace Robert Moody as the PSO’s music director, helmed the evening, which also featured a stellar performance by guest vocalist Lisa Vroman, a Broadway veteran who is gifted both artistically and as an entertainer.
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